https://arthistoryleavingcert.com/pre-christian-ireland-2/newgrange/https://arthistoryleavingcert.com/wp-content/uploads/2014/04/kerbstone-52.jpgkerbstone-52Kerbstone 52 . Courtesy of Department of Arts Heritage and Gaeltacht; Ireland. https://arthistoryleavingcert.com/wp-content/uploads/2014/04/newgrange-entrance-stone.jpgNewgrange Entrance StoneNewgrange Entrance Stonehttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/motifs-at-newgrange.jpgMotifs at NewgrangeMotifs at Newgrangehttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/log-rolling.jpgLog rollingLog rolling https://arthistoryleavingcert.com/wp-content/uploads/2014/04/newgrange-before-excavation.jpgNewgrange before excavationNewgrange before excavationhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/newgrange-facade-e1399033720529.jpgnewgrange facadeNewgrange Facadehttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/basinstone.jpgbasinstonehttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/sun-illuminates-the-chamber-at-newgrange.jpgSun Illuminates the Chamber at NewgrangeIn this drawing you can see the path of the sunlight as the travels through the roofbox and down the long passage into the chamber - lighting up the back wall and the basin stone. Drawing by OPW.https://arthistoryleavingcert.com/wp-content/uploads/2014/04/corbelled-vault-at-newgrange.jpgCorbel Vault at NewgrangeCorbel Vault at Newgrange. In this photo you can see that as the vault rises it becomes narrow and it ends finally in one capstone. https://arthistoryleavingcert.com/wp-content/uploads/2014/04/corbel-vault.jpgCorbel VaultCorbel Vault. The technique of corbelling involves stacking stone so that as it slowly rises it gradually narrows until only a single capstone is left.2021-12-22T07:35:29+00:00weekly0.6https://arthistoryleavingcert.com/2021/05/29/art-history-by-deirdre-morgan/2021-05-29T07:45:32+00:00monthlyhttps://arthistoryleavingcert.com/impressionism/renoir/https://arthistoryleavingcert.com/wp-content/uploads/2015/05/pierre-auguste_renoir_the_umbrellas_ca-_1881-86.jpgPierre-Auguste_Renoir,_The_Umbrellas,_ca._1881-86The Umbrellas (Les Parapluies) 1881- 1886https://arthistoryleavingcert.com/wp-content/uploads/2015/05/background-detail.jpgBackground detailIn the background Renoir works very loosely depicting individual figures with just a few brush stokes. We can make out the shapes of hats and dresses but very little else of details. There are barely faces to be seen and no features on the faces. https://arthistoryleavingcert.com/wp-content/uploads/2015/05/middle-ground-detail.jpgMiddle ground detailIn the middle-ground Renoir begins to paint in broader strokes where details become lost - the eyes are reduced to being slits, the hands of the woman are painted so loosely the individual fingers are obliterated. Compare this to the foreground details above.https://arthistoryleavingcert.com/wp-content/uploads/2015/05/detail-1.jpgDetail 1This is a scene from the foreground. You can see Renoir painted details such as eyelids and lashes as well as earrings and necklace detailshttps://arthistoryleavingcert.com/wp-content/uploads/2015/05/galette-composition.jpgComposition of Bal du Moulin de la GaletteComposition of Bal du Moulin de la Galette https://arthistoryleavingcert.com/wp-content/uploads/2015/05/auguste_renoir_-_dance_at_le_moulin_de_la_galette_-_musecc81e_dorsay_rf_2739_derivative_work_-_autocontrast_edit_in_lch_space.jpgAuguste_Renoir_-_Dance_at_Le_Moulin_de_la_Galette_-_Musée_d'Orsay_RF_2739_(derivative_work_-_AutoContrast_edit_in_LCH_space)La Bal du Moulin de la Galette ( Dance at the Moulin de la Galette) 1976https://arthistoryleavingcert.com/wp-content/uploads/2015/05/pierre-auguste_renoir_-_luncheon_of_the_boating_party_-_google_art_project.jpgPierre-Auguste_Renoir_-_Luncheon_of_the_Boating_Party_-_Google_Art_ProjectLuncheon of the Boating Party (Le déjeuner des canotiers) 1881https://arthistoryleavingcert.com/wp-content/uploads/2015/05/two-sisters.jpgTwo SistersTwo Sisters 1881 https://arthistoryleavingcert.com/wp-content/uploads/2015/05/la-loge.jpgla LogeLa Loge 18742015-05-31T12:49:15+00:00weekly0.6https://arthistoryleavingcert.com/hugh-lane-gallery/https://arthistoryleavingcert.com/wp-content/uploads/2015/05/dublin-city-gallery-the1.jpgHugh lane Gallery -exteriorHugh lane Gallery -exterior https://arthistoryleavingcert.com/wp-content/uploads/2015/05/the-francis-bacon-studio-a-resource-for-leaving-certificate-students.jpgThe Micro GalleryThe Micro Gallery https://arthistoryleavingcert.com/wp-content/uploads/2015/05/1919_bacon_f.jpgFrancis Bacon; Untitled ( Self Portrait) 1991-1992Francis Bacon; Untitled ( Self Portrait) 1991-1992. This unfinished self-portrait was found on Bacon's easel in his Reece Mews studio on his death in April 1992. As is typical of Bacon's procedure, the background has yet to be laid in. The head of the central figure is the most highly developed part of the canvas. It is unclear how many figures the artist intended to include in this composition. The circular outline may have been drawn using a dustbin lid, The vertical and horizontal lines framing the composition were probably made with a T-square.https://arthistoryleavingcert.com/wp-content/uploads/2015/05/bacon-floorplan.jpgFloorplan of Francis Bacon StudioFloor-plan of Francis Bacon Studiohttps://arthistoryleavingcert.com/wp-content/uploads/2015/05/1963-14smaller.jpgFrancis Bacon StudioFrancis Bacon Studiohttps://arthistoryleavingcert.com/wp-content/uploads/2015/05/450px-three_studies_for_figures_at_the_base_of_a_crucifixion.jpgThree_Studies_for_Figures_at_the_Base_of_a_CrucifixionFrancis Bacon; Three Studies for Figures at the Base of a Crucifixion, 1944. Oil and pastel on board, Tate Britain, London.https://arthistoryleavingcert.com/wp-content/uploads/2015/05/dublin-city-gallery-the_sketch.jpgdublin-city-gallery-the_sketchThe exterior of the Hugh Lane Gallery. 2021-03-10T11:44:03+00:00weekly0.6https://arthistoryleavingcert.com/impressionism/https://arthistoryleavingcert.com/wp-content/uploads/2014/05/800px-hiroshige_travellers_saurprised_by_sudden_rain.jpgHiroshige,Travellers surprised by sudden rainHiroshige,Travellers surprised by sudden rain https://arthistoryleavingcert.com/wp-content/uploads/2014/05/claude_monet_impression_soleil_levant.jpgImpression; Sunrise by Claude Monet 1872Impression; Sunrise by Claude Monet 18722015-03-17T11:57:55+00:00weekly0.6https://arthistoryleavingcert.com/pre-christian-ireland-2/exam-questions-and-marking-schemes-for-pre-christian-era/https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2014-question-2.jpgMarking Scheme 2014 Question 2Marking Scheme 2014 Question 2https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2014-q1.jpgMarking Scheme 2014 Question 1 Marking Scheme 2014 Question 1https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2010-q1.jpgMarking Scheme 2010 Q1Marking Scheme 2010 Q1https://arthistoryleavingcert.com/wp-content/uploads/2014/07/2010-question-1.jpg2010 Question 12010 Question 1https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2011-q2.jpgMarking Scheme 2011 Q2Marking Scheme 2011 Q2https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2011-q1.jpgMarking Scheme 2011 Q1Marking Scheme 2011 Q1https://arthistoryleavingcert.com/wp-content/uploads/2014/07/2011-question-1.jpg2011 Question 12011 Question 1https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2012-question-2.jpgMarking Scheme 2012 Question 2Marking Scheme 2012 Question 2https://arthistoryleavingcert.com/wp-content/uploads/2014/07/marking-scheme-2012-question-1.jpgMarking Scheme 2012 Question 1Marking Scheme 2012 Question 1https://arthistoryleavingcert.com/wp-content/uploads/2014/07/2012-question-2.jpg2012 Question 2 2012 Question 2 2023-06-01T14:17:03+00:00weekly0.6https://arthistoryleavingcert.com/pre-christian-ireland-2/iron-age-la-tene-in-ireland/https://arthistoryleavingcert.com/wp-content/uploads/2014/05/kickeen-ogham-stone.jpgKickeen Ogham StoneKickeen Ogham Stone, Co Wicklow https://arthistoryleavingcert.com/wp-content/uploads/2014/05/boajanussideone.jpgReverse side of figureReverse side of figurehttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/800px-janusfigureboaisland.jpg800px-JanusFigureBoaIslandCarved figure from Boa Island, Co Fermanaghhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/turoes-stone-pattern1.jpgTuroes Stone Patternhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/turoes-stone-pattern.jpgTuroes Stone Patternhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/loughnashade-trumpet-disc-drawing1.jpgLoughnashade Trumpet Disc Drawinghttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/loughnashade-trumpet-disc-drawing.jpgLoughnashade Trumpet Disc DrawingDrawing of Loughnashade Trumpet; detail of the La Tene design on the disc at the bell of the Trumpet. https://arthistoryleavingcert.com/wp-content/uploads/2014/04/castelgrange-stone-co-roacommon1.jpegCastelgrange Stone, Co RoacommonCastelgrange Stone, Co Roacommonhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/castelgrange-stone-co-roacommon.jpegCastelgrange Stone, Co Roacommonhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/the-broighter-hoard.jpegThe Broighter HoardThe Broighter Hoard including the Broighter Collar and the Broighter Boat 2014-07-10T23:16:26+00:00weekly0.6https://arthistoryleavingcert.com/pre-christian-ireland-2/court-cairn/2022-08-09T21:18:22+00:00weekly0.6https://arthistoryleavingcert.com/pre-christian-ireland-2/dolmen/2014-06-30T09:51:00+00:00weekly0.6https://arthistoryleavingcert.com/pre-christian-ireland-2/2014-06-21T21:08:58+00:00weekly0.6https://arthistoryleavingcert.com/pre-christian-ireland-2/bronze-age/https://arthistoryleavingcert.com/wp-content/uploads/2014/04/flanged-gold-earrings-castlerea-co-roscommon.jpgFlanged Gold Earrings, Castlerea, Co RoscommonFlanged Gold Earrings, Castlerea, Co Roscommonhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/detail-of-gorget.jpgDetail of GorgetDetail of Gorget. This is a close up view of one of the Terminal Discs. You can see in the very centre there is a large cone shaped Boss. Decorating the surface of the Terminal Disc are rings of raised dots made using the Repoussé technique and also rings of concentric circles which have been incised into the surface. https://arthistoryleavingcert.com/wp-content/uploads/2014/04/gold-ribbon-torc_irish.jpgGold ribbon torc_IrishGold Ribbon Torc . Photo by Reena Ahluwaliahttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/gold-dress-fastener_ireland.jpgGold dress fastener_irelandFibula: Gold Dress Fastner . Photo by Reena Ahluwaliahttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/gold-torcs.jpgTwo gold torcs, Tara, Co. Meath[2:28] Two gold torcs, Tara, Co. Meath. Middle Bronze Age, 1200–1000 bc. Found at the Rath of the Synods, Tara, Co. Meath, in 1810, these magnificent torcs which, between them, contain over a kilogram of gold, are the finest of their class from Ireland. They are of exceptionally large size and are further elaborated by the addition of extensions to the terminals, a feature which is not recorded elsewhere. Torcs of this type are made from bars of square or rectangular section, the angles of which have been hammered up to produce flanges. The even twisting of such a long bar requires considerable expertise and understanding of the working properties of the metal. W192, W173. D. 43.0 and 37.3 cm; Wt. 852.0 and 385.1 g. Armstrong 1920 159; Eogan 1967, 132–3, 139, 164; Cahill 1983, no. 9.https://arthistoryleavingcert.com/wp-content/uploads/2014/04/lunula-detail-blessington-lunula.jpgLunula Detail; Blessington LunulaChevrons and Lozenges incised into the Blessington Lunula. https://arthistoryleavingcert.com/wp-content/uploads/2014/04/blessington-lunula-detail.jpgBlessington Lunula detailhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/gold-disc-teldavnet-co-monaghan.jpgGold Disc, Teldavnet, Co MonaghanGold Disc, Teldavnet, Co Monaghan. In this Gold Disc you can see just how thin the gold has become from being hammered- its like gold foil. You can also see the two holes in the centre which were used to fasten the gold disc using gold wire.https://arthistoryleavingcert.com/wp-content/uploads/2014/04/blessington-lunula-the-british-museum.jpgBlessington Lunula; The British Museumhttps://arthistoryleavingcert.com/wp-content/uploads/2014/04/gold-discs.jpgpair of gold discsPair of gold discs, Tedavnet, Co. Monaghan. Early Bronze Age, 2200–2000 bc. Discovered in the roots of an old tree, this pair of discs is the largest and most sophisticated of the Early Bronze Age discs known from Ireland. A complex arrangement of raised lines, rows of dots and zig-zags has produced a central cross surrounded by concentric patterns similar to other discs but much more elaborate in composition and, technically, far superior. The combination of the techniques of repoussé, punching and polishing, together with the slight doming of the surfaces, highlights and gives a depth and texture to the discs not seen on other pieces. 1872:34, 35. D. 11.3 and 11.5 cm; Wt. 22.5 and 22.8 g.Armstrong 1920, 84; Cahill 1983, no. 6.2014-06-21T21:06:12+00:00weekly0.6https://arthistoryleavingcert.com/early-christian-ireland/manuscripts/https://arthistoryleavingcert.com/wp-content/uploads/2014/05/lion-from-the-book-of-durrow.jpgDetail of Lion from the Book of Durrow of DurrowDetail of Lion from the Book of Durrow. It is believed by Art Historians that the lion is influenced by art from the Picts in Scotland. In this detail you can see the use of dots in the face of the Lion and in the interlace pattern. https://arthistoryleavingcert.com/wp-content/uploads/2014/05/the-four-evangelist-pages-in-the-book-of-durrow.jpgThe four Evangelist Pages in the Book of DurrowThe four Evangelist Pages in the Book of Durrowhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/detial-of-biting-animals-1.jpgDetail of Biting Animals (1)Detail of Biting Animals. In this detail the long bodies of snake-like or leg less creatures are intertwined with each other and are biting their own tails. https://arthistoryleavingcert.com/wp-content/uploads/2014/05/detail-of-biting-animals-2-e1399817939307.jpgDetail of Biting Animals (2)Detail of Biting Animals. Here you can see a row of dog-like or four legged animals; each animal is biting the hind quarters of the animal in front. The legs of each animal become a narrow band that interweaves itself around the body of the animal. https://arthistoryleavingcert.com/wp-content/uploads/2014/05/carpet-page-the-biting-animals1.jpgCarpet Page; The Biting Animalshttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/carpet-page-the-biting-animals.jpgCarpet Page; The Biting AnimalsCarpet Page; The Biting Animalshttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/st-matthew-book-of-durrow.jpgSymbol of a Man : St Matthew; Book of DurrowSymbol of a Man : St Matthew; Book of Durrowhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/lion-symbol-of-st-john-book-of-durrow.jpgLion- Symbol of St John, Book of DurrowLion- Symbol of St John, Book of Durrowhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/the-symbols-of-the-four-evangelists-book-of-durrow.jpgThe Symbols of the Four Evangelists; Book of DurrowThe Symbols of the Four Evangelists; Book of Durrow. Courtesy of Wikipediahttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/detail-of-initial-of-mark.jpgDetail of Initial of Mark; Book of DurrowDetail of Initial of Mark; Book of Durrow2014-06-21T21:03:19+00:00weekly0.6https://arthistoryleavingcert.com/early-christian-ireland/christian-metalwork/https://arthistoryleavingcert.com/wp-content/uploads/2014/05/tara-brooch-detail-showing-the-swivel-and-chain.jpgTara Brooch - detail showing the swivel and chainTara Brooch - detail showing the swivel and chainhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/tarabroochdetail1.gifTaraBroochdetail1Tara Brooch - Pin Head detail https://arthistoryleavingcert.com/wp-content/uploads/2014/05/tara-brooch-insert-on-back.jpgTara Brooch - Insert on backTara Brooch - insert on the back- La Téne Style Designs https://arthistoryleavingcert.com/wp-content/uploads/2014/05/back.jpgBackThe back of the Tara Broochhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/f47b1fb35e3f568bd7e42adc43f41f5b1.jpgThe Tara BroochThe Tara Broochhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/sf07-65-8s5.jpgUnderside of the Ardagh Chalice Underside of the Ardagh Chalicehttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/ardagh_chalice_detail_2.jpgArdagh_Chalice_Detail_2Escutcheon underneath the handle with three large studs and filigree inserts. https://arthistoryleavingcert.com/wp-content/uploads/2014/05/incise.jpgincised animal designsInscribed aminal designs below the handles. https://arthistoryleavingcert.com/wp-content/uploads/2014/05/inscription.jpgInscriptionInscription of Apostles encircling below the bandhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/band.jpgBand2014-06-21T20:59:48+00:00weekly0.6https://arthistoryleavingcert.com/romanesque/https://arthistoryleavingcert.com/wp-content/uploads/2014/06/romanesque-header-e1403265987791.jpgRomanesque headerhttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/groundplan-of-st-sernins2.jpgGroundplan of St SerninsGroundplan of St Serninshttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/q10559687.jpgDetail of the Last Judgement Detail of the Last Judgement . The Archangel Michael and the Devil weighing the souls. See below the feet of the devil - the hand of God pulls a frightened soul out of Purgatory in order for it to be weighedhttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/q10559680.jpgThe Last Judgement by Gislebertus The Last Judgement by Gislebertus https://arthistoryleavingcert.com/wp-content/uploads/2014/06/gislebertus-the-dream-of-the-magi.jpgGislebertus; The Dream of the MagiGislebertus; The Dream of the Magi; This relief sculpture is careved into a capital in Autun Cathedral. It tells the story of the Three Wise Men being wakened by an angel and pointed in the direction of a star. Gislebertus in a very simple beautiful way shows us the kings asleep together wearing their crowns. One blanket sweeps over the three kings. He shows us the bed at such an angle that we can see all three kings. The angel is gently waking one of the kings by touching his hand and is pointing the way for the kingshttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/apostle-at-st-sernins-1090s.jpgApostle at St Sernin's 1090'sApostle at St Sernin's https://arthistoryleavingcert.com/wp-content/uploads/2014/06/interior-saint-sernin.jpginterior-saint-serninInterior of St Sernin's https://arthistoryleavingcert.com/wp-content/uploads/2014/06/9355578.jpgAerial view of St Sernin's Aerial view of St Sernin's https://arthistoryleavingcert.com/wp-content/uploads/2014/06/groin-vault.gifGroin VaultGroin Vaulthttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/barrel-vault.gifBarrel VaultBarrel Vault 2014-06-21T20:58:14+00:00weekly0.6https://arthistoryleavingcert.com/gothic/https://arthistoryleavingcert.com/wp-content/uploads/2014/06/groundplan-of-chartres-cathedral1.jpgGroundplan of Chartres CathedralGroundplan of Chartres Cathedralhttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/site_0081_0001-594-0-20061213122149.jpgChartes Cathedral - West Facade Chartes Cathedral - West Facade https://arthistoryleavingcert.com/wp-content/uploads/2014/06/chartres-1.jpgChartresView of Chartres Cathedralhttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/milan_cathedral_spires_2_500.jpgmilan_cathedral_spires_2_500Milan Cathedralhttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/rouen-cathedral.jpgRouen CathedralRouen Cathedral https://arthistoryleavingcert.com/wp-content/uploads/2014/06/high-classic-gothic-churches.jpgHigh/ Classic Gothic ChurchesHigh/ Classic Gothic Churcheshttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/early-gothic-churches1.jpgEarly Gothic ChurchesEarly Gothic Churcheshttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/rose-window-notre-dame-paris.jpgRose Window ; Notre Dame, ParisRose Window; Notre Dame, Paris. View of the exterior and the interior.https://arthistoryleavingcert.com/wp-content/uploads/2014/06/gothic-tracery.jpgGothic TraceryGothic Tracery - Stone Tracery was used to make elaborate designs and patterns in windows. The function of tracery was to hold in panels of glass. https://arthistoryleavingcert.com/wp-content/uploads/2014/06/foyo2_11_saintdenisinterior.jpgInterior of St Denis, Paris Interior of St Denis, Paris . You can see the Clerestory and Triforium of Glass 2014-06-21T20:57:19+00:00weekly0.6https://arthistoryleavingcert.com/impressionism/edouard-manet/https://arthistoryleavingcert.com/wp-content/uploads/2014/05/background-detail-a-bar-at-the-folies-bergc3a9re.jpgBackground detail; A bar at the Folies BergéreBackground detail; A bar at the Folies Bergérehttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/middle-ground-detail-a-bar-at-the-folies-bergc3a9re.jpgMiddle ground detail; A Bar at the Folies BergéreMiddle ground detail; A Bar at the Folies Bergérehttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/forground-detail-a-bar-at-the-folies-bergc3a9re.jpgForeground detail ;A Bar at the Folies BergéreForeground detail ;A Bar at the Folies Bergérehttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/edouard_manet_a_bar_at_the_folies-bergc3a8re.jpgEdouard Manet, A Bar at the Folies-BergèreEdouard Manet, A Bar at the Folies-Bergère 1882https://arthistoryleavingcert.com/wp-content/uploads/2014/05/detail-of-olympia-brushwork.jpgDetail of Olympia ; BrushworkDetail of Olympia ; Brushwork. Manet was heavily criticised for his loose gestural brushstrokes - here you can see how quick and freely he painted the pattern on the drapehttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/japanese-print-olympia-detail.jpgJapanese Print and Olympia detailJapanese Print and Olympia detailhttps://arthistoryleavingcert.com/wp-content/uploads/2014/05/tiziano_-_venere_di_urbino_-_google_art_project.jpgTitian; Venus of Urbino 1538Titian; Venus of Urbino 1538https://arthistoryleavingcert.com/wp-content/uploads/2014/05/edouard_manet_-_olympia_-_google_art_project_3.jpgEdouard Manet; Olympia 1865Edouard Manet; Olympia 1865https://arthistoryleavingcert.com/wp-content/uploads/2014/05/edouard-manet-dc3a9jeuner-sur-lherb-luncheon-on-the-grass.jpgEdouard Manet; Déjeuner sur l'Herb ( Luncheon on the Grass)Edouard Manet; Déjeuner sur l'Herb ( Luncheon on the Grass)2014-06-21T20:55:54+00:00weekly0.6https://arthistoryleavingcert.com/impressionism/claude-monet/https://arthistoryleavingcert.com/wp-content/uploads/2014/06/monet_-_seerosen5.jpgWaterlilies 1915Waterlilies 1915https://arthistoryleavingcert.com/wp-content/uploads/2014/06/nympheas_71293_3.jpgWaterlilies https://arthistoryleavingcert.com/wp-content/uploads/2014/06/monet_-_seerosen_1906.jpgMonet; Waterlilies 1906Monet; Waterlilies 1906https://arthistoryleavingcert.com/wp-content/uploads/2014/06/water-lilies-and-japanese-bridge-1897-1899-monet.jpgWater Lilies and Japanese-Bridge-(1897-1899)MonetWater Lilies and Japanese-Bridge-(1897-1899)Monethttps://arthistoryleavingcert.com/wp-content/uploads/2014/06/claude-monet-haystack-series-1890-91.jpgClaude Monet; Haystack Series 1890-91Claude Monet; Haystack Series 1890-91https://arthistoryleavingcert.com/wp-content/uploads/2014/06/claude-monet-rouen-cathedral-series-1892-941.jpgClaude Monet; Rouen Cathedral Series 1892-94Claude Monet; Rouen Cathedral Series 1892-94https://arthistoryleavingcert.com/wp-content/uploads/2014/06/claude-monet-views-of-rouen-cathedral-1892-94.jpgClaude Monet; Views of Rouen Cathedral 1892 -94Claude Monet; Views of Rouen Cathedral 1892 -94https://arthistoryleavingcert.com/wp-content/uploads/2014/06/rouen-cathedral-setting-sun-symphony-in-grey-and-pink-1892-94.jpgRouen Cathedral; Setting Sun, Symphony in Grey and Pink. 1892 -94Rouen Cathedral; Setting Sun, Symphony in Grey and Pink. 1892 -94https://arthistoryleavingcert.com/wp-content/uploads/2014/06/rouen-cathedral-facade-morning-effect-between-1892-and-1994.jpgRouen Cathedral. Facade . Morning Effect. Between 1892 and 1994Rouen Cathedral. Facade . Morning Effect. Between 1892 and 1994https://arthistoryleavingcert.com/wp-content/uploads/2014/06/rouen-cathedral-facade-sunset-harmony-in-blue-and-gold-1892-94.jpgRouen Cathedral. Facade. Sunset ; Harmony in Blue and Gold 1892-94Rouen Cathedral. Facade. Sunset ; Harmony in Blue and Gold 1892-942014-06-21T20:53:54+00:00weekly0.6https://arthistoryleavingcert.com/2014/06/04/romanesque-has-been-added/2014-06-04T12:55:16+00:00monthlyhttps://arthistoryleavingcert.com/early-christian-ireland/2017-11-12T22:31:31+00:00weekly0.6https://arthistoryleavingcert.com/2014/05/30/newgrange-has-been-added/2014-05-30T15:01:11+00:00monthlyhttps://arthistoryleavingcert.comdaily1.02023-06-01T14:17:03+00:00